
Keyboard shortcut editing actions now include fade, cut, select and move. User adjustable per track scalable waveform display. New mouse and keyboard based editing toolset.

Nouveautés de la version DaVinci Resolve Studio 16.2Īméliorations des outils de montage de la timeline Fairlight There is nothing in your price range that can work, but the higher-end LG OLED sets (starting at US$1200) can work, once they're calibrated and if you're using a Blackmagic color-managed adapter.DaVinci Resolve Studio Linux v16.2 ReleaseĬette mise à jour logicielle intègre des nouveaux outils de montage Fairlight dont un nouveau mode de sélection, des nouveaux outils et commandes de montage contextuels et autres.ĭaVinci Resolve 16.2 comprend également des formes d’ondes redimensionnables dans la timeline Fairlight, des nouveaux plug-ins Fairlight, la sonothèque Blackmagic Fairlight, une prise en charge des formats audio 3D immersifs et une nouvelle commande de bouncing.Ĭette version nécessite un dongle DaVinci Resolve Studio ou un code d’activation logiciel. Steve Shaw of LightIllusion has a good essay on the importance of using grading displays for judging color: And to calibrate it, you need proper test signals, probes, and software outside of Resolve to ensure that it meets normal industry standards. If you do need to see accurate color, you really need a color-managed output with a Blackmagic display device, plus an external calibrated display. The Clean Feed can be perfectly adequate if you're only editing in Resolve and don't need to make any precise color judgements on the fullscreen preview display. And if you do look at anything in the GUI display, don't compare it to what you see in Resolve.

I think even more so with uncalibrated XDR displays. That will lead down a perilous road of pain and suffering. The same problem exists with the "Clean Feed" output, since it's not color managed.ĭon't try to make judgements on uncalibrated GUI displays.

Read page 2537 of the Resolve 17.4 manual, "Limitations When Grading With the Viewer on a Computer Display." This explains why it's unwise to try to use a computer display for final color correction.
